nigel kneale filmography

[62], Kneale was admired by the film director John Carpenter,[3][31] who hired Kneale to write the screenplay Halloween III. [38] Written in 1965 while Kneale was suffering from a mystery illness and forced to stay in bed for a long period, the concept started life as a drama serial for the BBC, before the corporation had second thoughts about the nature of the storyline and the possibility of copycat suicides;[17] Kneale later agreed that they were probably right not to make it for television. Kneale didn’t like these either, especially the altered ending. [48], In 1958, Kneale's play Mrs Wickens in the Fall, transmitted by the BBC the previous year, was remade by the CBS network in the United States, retitled The Littlest Enemy. [37] Kneale was not pleased with the film,[6] and particularly disliked the casting of Brian Donlevy as Quatermass, as he explained in a 1986 interview. [98] He was also responsible for a painting of a lobster from which special effects designers Bernard Wilkie and Jack Kine drew their inspiration for the Martian creatures they constructed for the original television version of Quatermass and the Pit. "[23], The science-fiction production to which Jacobs referred was The Quatermass Experiment, broadcast in six half-hour episodes in July and August 1953. Called Crow, it was based upon the memoirs of real-life Manx slaver Captain Hugh Crow. 1 month ago. First Men in the Moon is a 1964 British science fiction film, produced by Charles H. Schneer, directed by Nathan Juran, and starring Edward Judd, Martha Hyer and Lionel Jeffries.The film, distributed by Columbia Pictures, is an adaptation by screenwriter Nigel Kneale of H. G. Wells' 1901 novel The First Men in the Moon.. Ray Harryhausen provided the stop-motion animation effects, which include the … Nigel Kneale's bleak, underappreciated 1989 film has only been shown on TV twice. [5][6] He was raised in the island's capital, Douglas, where his father was the owner and editor of the local newspaper, The Herald. [53], Less successfully during this period, Kneale completed screenplays for adaptations of the novels Lord of the Flies by William Golding and Brave New World by Aldous Huxley. Described by The Independent as "one of the few writers not to fall out with John Osborne,"[7] Kneale adapted Osborne's plays Look Back in Anger and The Entertainer in 1958 and 1960 respectively, both for director Tony Richardson. [30] Nineteen Eighty-Four was a particularly notable production; many found it shocking, and questions were asked in Parliament about whether some of the scenes had been suitable for television. [73] It has been observed that Kneale on some occasions operated a double standard with adaptations; being unhappy when others made changes to his stories, but willing to make changes to stories he was adapting into script form. The film has an air of respect for the issues touched on, and this impression is confirmed by the acting generally." In 2000, he received the Lifetime Achievement Award from the Horror Writers Association. He continued to appear as an interview subject in various television documentaries,[18] and also recorded further audio commentaries for the release of some of his productions on DVD. Nigel Kneale was born on April 18, 1922 in Barrow-in-Furness, Lancashire, England as Thomas Nigel Kneale. In 2005, he acted as a consultant when the digital television channel BBC Four produced a live remake of The Quatermass Experiment. Ghostwatch was a big deal for the BBC on Hallowe’en 1992. [67] It featured some well-known actors such as Martin Shaw, Pauline Quirke and Bernard Horsfall, but did not gain a full network run on ITV; different regions transmitted the episodes in different timeslots and some in different sequences. A particular critical success was The Year of the Sex Olympics, broadcast as part of BBC2's Theatre 625 series in July 1968. "[96], Kneale's younger brother is the renowned artist and sculptor Bryan Kneale, who was Master and then Professor of Sculpture at the Royal Academy from 1982 to 1990. I'm sure if somebody thought that Quatermass was a silly name and changed it, he'd be furious! Disney dropped new trailers for "The Falcon and the Winter Soldier," "Loki," and a first look at the new Star Wars series, "Andor.". The Quatermass Experiment was the first adult television science-fiction production,[25] held a large television audience gripped across its six weeks,[3] and has been described by the Museum of Broadcast Communications as dramatising "a new range of gendered fears about Britain's postwar and post-colonial security. He particularly disliked the BBC series Doctor Who (1963–89; 1996; 2005–present), for which he had once turned down an offer to write. "[22], Jason Jacobs, a lecturer in film and television studies at the University of Warwick, wrote in his 2000 history of early British television drama that "It was the arrival of Nigel Kneale ... and Rudolph Cartier ... that challenged the intimate drama directly ... Kneale and Cartier shared a common desire to invigorate television with a faster tempo and a broader thematic and spatial canvas, and it was no coincidence that they turned to science-fiction in order to get out of the dominant stylistic trend of television intimacy. “Fantasy Flashback: Quatermass &Amp; The Pit.” TV … [40] The film premiered at the end of May 1957,[41] and was reviewed positively in The Times: "The writer of the original story, Mr Nigel Kneale, and the director, Mr Val Guest, between them keep things moving at the right speed, without digressions. Kneale had initially been approached by the director John Landis to work on the screenplay for a remake of Creature from the Black Lagoon,[72] and he and his wife spent some time living at the Sheraton Hotel in Hollywood while Kneale worked on the project. [7][8] He also worked in a lawyer's office,[3] but became bored with his legal training and eventually abandoned the profession. No Comments » Search. People who made the bold decision to watch this excellent drama will respond to any 'clip-clop' by gratifyingly leaping in the air and grabbing the backs of their necks. Whether working for studios such as Hammer and Woodfall or redefining the role of television drama at the BBC, Kneale’s writing ventured into daring new territory, brilliantly reflecting the changes … "[74] The adaptation nearly went unmade; Kneale had written the script in ten days but been advised by his agent to wait before submitting it to the producers Central Independent Television so that they would not think he had rushed it. Writer. The film will be produced by Hammer’s Simon Oakes and follow the story of Bernard Quatermass, which was made popular by the successful BBC 1950s series, and a trio of films from Hammer Film Productions from the mid-50s to the mid-60s and seen as a precursor to Dr. Who. But there were after-effects, a moo The series is a touchstone of folk horror and hauntology and has provided inspiration to many modern creators of horror entertainment. [11] He also had further short stories published in magazines such as Argosy and The Strand. How much TV do you remember from last night ... last year ... last century? The dialogue/characterisation seemed to consist of a kind of childish squabbling" and Doomwatch: "I was approached to write Doomwatch. He was married to Judith Kerr. Nigel Kneale was born on April 18, 1922 in Barrow-in-Furness, Lancashire, England as Thomas Nigel Kneale. "I didn't want to go on repeating because Professor Quatermass had already saved the world from ultimate destruction three times, and that seemed to me to be quite enough," he said in 1986. [85], High-profile entertainment industry figures have publicly expressed admiration for Kneale's work, including The Beatles' drummer Ringo Starr,[87] members of the rock group Pink Floyd[87] and Monty Python's Flying Circus writer/performer Michael Palin. [4] (His son, Matthew Kneale, would later win the same award in 1988 for his novel Whore Banquets. "[46] It was also included in the British Film Institute's "TV 100" list in 2000, where it was praised for the themes and subtexts it explored. That was probably because he liked the producer. [30], Almost simultaneously with the transmission of Quatermass II in the autumn of 1955, Hammer Film Productions released The Quatermass Xperiment, their film adaptation of the first serial. [17], Following the cancellation of Crow, Kneale moved to work for another of the ITV companies, Thames Television, who in 1977 commissioned the production of the scripts of Kneale's previously abandoned fourth Quatermass serial, to be produced by their Euston Films subsidiary film company. HEADPRESS: When did you first get the idea to write a book on Nigel Kneale and how did the opportunity to meet him come about? [78], While recording an audio commentary for that film in 1997, Kneale speculated about a possible Quatermass prequel set in 1930s Germany. [72], Kneale's treatment for the film met with the approval of John Carpenter, the producer of the Halloween series, although Kneale was required to write the script in only six weeks. [6] His first script for ITV in this period was the one-off play Murrain, made by the network's Midlands franchise holders Associated TeleVision (ATV) in 1975. [66], Kneale's remaining television work was written for ITV. Nigel Kneale was right!" [33], The Creature—an original script by Kneale concerning the legend of the abominable snowman—was his next collaboration with Cartier, broadcast on 30 January 1955,[30] followed by an adaptation of Peter Ustinov's play The Moment of Truth (10 March 1955),[30] before Kneale was commissioned to write Quatermass II. "[Donlevy] was then really on the skids and didn't care what he was doing. [27] The Professor's first name was chosen in honour of the astronomer Bernard Lovell. Predominantly a writer of thrillers that used science-fiction and horror elements, he was best known for the creation of the character Professor Bernard Quatermass. [6] In 1951 he was recruited as one of the first staff writers to be employed by BBC Television;[16] before he started working for the BBC, Kneale had never seen any television. "[76] However, Kneale's adaptations were by no means always unpopular with the original author. Nigel Kneale. Cine-literate, politically aware and scathingly … Neither Kneale nor Cartier were impressed with the state in which they found BBC television drama. [87], Kneale never saw himself as a science-fiction writer,[17] and was often critical of the genre. [57] The production, Quatermass, was structured to work both as a four-episode serial for transmission in the UK, and a 100-minute film version for cinema release overseas—something Kneale later regretted agreeing to. [10] Later that year he left the Isle of Man and moved to London, where he began studying acting at the Royal Academy of Dramatic Art (RADA). During this time the BBC produced Kneale's 'The Road' (First Night, BBC, tx. "Thematically no less awesome than Mr Kneale's earlier science-fiction essays for BBC Television, his ITV debut has proved only a so-so affair", was the verdict of The Times when previewing the final episode. The following year, Michael Barry became the Head of Drama at BBC Television, and spent his entire first year's script budget of £250 to hire Kneale as a full-time writer for the drama department. He was a writer and actor, known for The Entertainer (1960), Look Back in Anger (1959) and Quatermass and the Pit (1967). Thomas Nigel Kneale was born in Barrow-in-Furness on 28 April 1922. [14] Kneale's publisher was keen for him to write a novel,[3] but Kneale himself was more interested in writing for television. Nigel Kneale was born on April 18, 1922 in Barrow-in-Furness, Lancashire, England as Thomas Nigel Kneale. [7] The book sufficiently impressed the writer Elizabeth Bowen that she wrote a foreword for it,[7] and in 1950 the collection won the Somerset Maugham Award. But his place is secure, alongside Wells, Arthur C. Clarke, John Wyndham and Brian Aldiss, as one of the best, most exciting and most compassionate English science fiction writers of his century.[4]. [59] Kneale did his first work for the ITV network during this time, writing one-off play The Crunch for the ATV company in 1964.[60]. The first Quatermass film had been a major success for Hammer and, eager for a sequel, they purchased the rights to Nigel Kneale's follow-up before the BBC had even begun transmission of the new serial. [6] The play concerned the population of an 18th-century village who become haunted by visions of a future nuclear war,[3] and was followed by several further one-off dramas for the BBC over the following decade, including two entries into BBC1's The Wednesday Play anthology strand. [6] Although his first out-and-out comedy, Kneale was keen to stress that there had always been elements of humour present throughout his scripts,[38] and some of the press reaction to Kinvig was positive. The great horror sci/fi writer Nigel Kneale, usually renowned for his Quatermass writings and technology and science based themes, again comes up trumps with a finely acted drama that asks all the right questions and never resorts to silly clichés usually equated to the subject matter. At the name of Kneale, I feel, every knee should bow. They say a whole party of American tourists fell to their knees. [13]), Following this success, Kneale gave up acting to write full-time. [54] Kneale had first worked on the screenplay for the adaptation in 1961,[54] the same year in which he had begun to adapt Quatermass and the Pit for Hammer. [6] Kneale knew Richardson through having previously adapted a Chekhov short story for the BBC, which Richardson had directed. This issue also has reviews of the VHS releases of Quatermass and the Pit (by Petley) and The Quatermass Conclusion (by Kim Newman). Australian TV drama was … Andy Murray is the author of Into The Unknown The Fantastic Life of Nigel Kneale (Revised Updated). Writing about The Year of the Sex Olympics in 2003, Nancy Banks-Smith felt that Kneale was one of the few television writers whose work was particularly memorable. In 1991, a four-part version he wrote of Kingsley Amis's novel Stanley and the Women, met with approval from the original author, with Amis regarding it as the most successful adaptation of any of his work. Thomas Nigel Kneale (18 April 1922 – 29 October 2006) was a Manx screenwriter who wrote professionally for more than 50 years, was a winner of the Somerset Maugham Award, and was twice nominated for the BAFTA Award for Best British Screenplay. Quatermass was a heroic scientist who appeared in various television, film and radio productions written by Kneale for the BBC, Hammer Film Productions and Thames Television between 1953 and 1996. 662 (March 1989): 90–96. [18] This play was adapted and directed by the Austrian television director Rudolph Cartier, who had also joined the staff of the BBC drama department in 1952. I just wrote screenplays. "[47], Despite the success of the serial, Kneale felt that he had now taken the character of Quatermass as far as he could. [3] A keen cinema-goer, he believed that the audience being able to see human faces was an important factor in storytelling.[15]. So has Crossroads and that's a stinker". 1957 also saw the release of another … [72], He returned to writing scripts for British television, including Gentry with Roger Daltrey for ITV in 1987, and the 1989 adaptation of Susan Hill's novel The Woman in Black for transmission on ITV on Christmas Eve. Quite. [49] It was Kneale's only involvement with American television, and he was not pleased with the result. The plot is a condensed but largely … Professor Bernard Quatermass is a fictional scientist, originally created by the writer Nigel Kneale for BBC Television. [12], After graduating from RADA, Kneale worked for a short time as a professional actor performing in small rôles at the Stratford Memorial Theatre in Stratford-upon-Avon. "[38] Doctor Who was heavily influenced by Kneale's Quatermass serials,[88][89][90] in some cases even using specific storylines that were very similar to those from Quatermass.[91][92]. He has been described as "one of the most influential writers of the 20th century",[1] and as "having invented popular TV". The Stone Tape was written by Nigel Kneale, best known as the writer of Quatermass. [6], Kneale had returned to writing for television with the BBC for the first time since Quatermass and the Pit when his play The Road was broadcast in September 1963. This is an edited version of Neil Snowdon’s interview with Joe Dante on Nigel Kneale, which is published in the newly released book We Are the Martians: The Legacy of Nigel Kneale. Redirecting to /nigelkneale/filmography/p97672 In 2000, he received the Lifetime Achievement Award from the Horror Writers Association. Kneale's script, Jack and the Beanstalk, was transmitted on 24 March 1974, and marked the end of his BBC writing career. [32] The Guardian newspaper's obituary of Kneale in 2006 claimed that the adaptation had "permanently revived Orwell's reputation,"[4] while the British Film Institute included it in their list of the 100 Greatest British Television Programmes of the 20th century in 2000. Tags: BOO!, Film podcast, Ghostwatch, Haunted Houses, His House, James Brolin, Margot Kidder, Mat Colegate (aka Lord Nuneaton Savage) & Dan White (aka The Beast Must Die., Michael Parkinson, Nigel Kneale, Sarah Greene, Sinister, Stephen Volk, The Amityville Horror, The Savage Beast, The Stone Tape, There's A Ghost In My House, Trauma. [6] He made further radio broadcasts in the 1940s, including a reading of his story Zachary Crebbin's Angel on the BBC Light Programme, broadcast nationally on 19 May 1948. And was often critical of the ITV legal drama Kavanagh QC, starring John.... 'D be furious ( his son, Matthew Kneale, best known as a staff.. 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